Vigevano Castle
from 30 October 2010 to 1 May 2011
With the exhibition "The Thirteenth witness" the da Vinci masterpiece will be the focus of unprecedented media reading
From 30 October 2010 to 1 May 2011, the stables of the ducal castle of Vigevano, a path will be set up which, thanks to sophisticated interactive and digital, will offer visitors an innovative reinterpretation of the Last Supper by Leonardo da Vinci, giving him the role of spectator privileged - almost beside the twelve apostles - the discovery of the multiple meanings that this holds , hence the title of the exhibition: INSIDE THE LAST SUPPER: THE THIRTEENTH WITNESS.
The visit will provide an opportunity to choose between three different levels:
1. film, where you will view information and multimedia content according to a scheme set up as a story;
2. interactive, where the visitor will structure their own path of discovery and understanding of the masterpiece by drawing on their own to the various possibilities of depth; the
3. active and participatory, where you have the ability to collect and share images and details of the route through a database that will be enriched with the contribution of people.
The central sections will be characterized by a particular arrangement: a set suitable for reading, analyze and experience first hand aspects of the implementation of the Last Supper.
Each of these sets will consist of tools such as a projection surface on which a film flow, a table to store the depth consultation, a collector, capable of capturing images and details of the total film, to bring them on table archive where you can watch them and rework them.
Hours: Monday to Sunday from 09.30 to 18.30. Tuesday 9:30 to 14:00
The ticket office closes one hour before
Admission: € 8, reduced € 6.50, € special schools 3;
Catalog Electa
Website: www.leonardoevigevano.it
Information and guided tours: 02 43353522 as real as diverse in their variety. The selection of works highlights how attention should be placed in the interpretation, the challenge in what is expressed or left unspoken.
and in the wake of the '60s - a crucial decade, during which customs and socio-political ideals were criticized, challenged and permanently deleted - which is inscribed the style of the disturbing images / disquieting images in the exhibition, largely attributable the period from the 70s to today. They are images that come from all parts of the world, from Iraq to Texas, from Japan to Vietnam from Africa to Haiti, from Rwanda to Afghanistan, and cover the city as the small towns, as San Francisco, New York, Palermo, London, Provincetown, Emeryville or Seattle. They talk about subjects that are eroding the boundaries of imagination, because it close to a social universe that is latent and it is threatening violence on women, the distortion of eco-friendly, animal abuse, human obsessions, victims of war and family.
Disquieting, worrying is a term ductile, easily circumscribed. Can you describe an event or object, or experience may be the same object or event. It can be a deeply personal response or evoked by the other: it is the work or the condition to be disturbing, or is the answer given by others to give this reading? The primary concern is a reaction, and at the same time, fueled by a shared suspicion and discomfort. It's both: it is shapeless, yet visceral, not an opinion, and however deeply felt, a calm interrupted, a deafening silence, something inescapable yet threatening, frightening, disgusting ... In collaboration with the curators, the photographers have implemented, with varying degrees of narrative, a selection of images and projects that are - as witness or metaphorically - the concepts of community, gender, diversity, children, environment and conflict : the nature of 'human being as the human being and nature.
Through the selection of works on display, disturbing images / enucleates disquieting images of "ecosystems" ruthless and upset because it upset the order of things known, so as to create a new kind of reality. And at the same time appear as instances, events, experiences relived one o'clock as opposed to another, one twisted the other pictures that pose more questions rather than answers, which irritate the subjects depicted in deep decline - and the same word "concern" - in a personal way according to the sensitivity of the individual photographers.
Artists exhibited: Julio César Aguilar
Fuentes, Diane Arbus, Letizia Battaglia, Nina Berman, Elena Dorfman, Donna Ferrato, Nan Goldin, Philip Jones Griffiths, Pieter Hugo, Alfredo Jaar, Kohei Yoshiyuki, Sally Mann, Robert Mapplethorpe, Mary Ellen Mark, Richard Misrach, James Nachtwey, Michael Nichols, Paolo Pellegrin, Gilles Peress, Eugene Richards, Lise Sarfati, Stephanie Sinclair, Brian Weil, Zalmaï.
Per il contenuto delle Immagini La Mostra è vietata ai Minori di 14 anni e Rivolta a un pubblico Adulto
Immagini inquietanti / disquieting images
Triennale di Milano
19 ottobre 2010-9 gennaio 2011
a cura di Germano Celant e Melissa Harris
Ingresso 8.00 / 6.50 / 5.50
Catalogo Skira
Tuesday-Sunday 10:30 to 20:30 10:30 to 23:00 Thursday and Friday
Triennale di Milano Viale
Alemagna, 6
tel. 02 724341 02 89010693 fax
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