Braums Fruit And Yogurt Swirl Nutrition

1900-1961 ITALIAN ART COLLECTIONS IN GUGGENHEIM


Umberto Boccioni, Materia, 1912
(detail)


1900-1961 ITALIAN ART COLLECTIONS IN GUGGENHEIM
February 26 -5 June 2011
inauguration Feb. 25, 2011
Ark Church of San Marco, Vercelli

From 26 February to 5 June 2011 the Ark of Vercelli hosts the show from 1900 to 1961. Italian art in the Guggenheim Collection, curated by Luca Massimo Barbero.

After the trilogy dedicated to the figure of Peggy Guggenheim - which in three years has brought about 120,000 visitors in Vercelli, fully recognized the role of cities - the renewed partnership between the Piedmont Region, City of Vercelli and Peggy Guggenheim Collection Venice will see over 40 works by Italian artists loved and collected by the American patrons.

The exhibition is a tribute to Italian art of the twentieth century, with a selection of works describing the genesis, the development of research maturazionee artistic avant-garde in Italy from 1900 to 1961. The exhibition will see how the Italian art has been incorporated in the course of these sixty years, criticized the taste of American collectors and enriched by important private collections, most notably the Gianni Mattioli Collection, significant long-term loan the Peggy Guggenheim Collection in Venice.

Symbolically, in the year of celebrations of 150 years Unification of Italy, the exhibition since 1961, the year of the centenary, with a painting by Giuseppe Capogrossi. Through the works of internationally recognized Italian artists, the exhibition traces back the history of Italian art of the twentieth century.

Among the authors show Alberto Burri, Lucio Fontana, Giorgio Morandi, Filippo De Pisis, Arturo Tosi, Amedeo Modigliani, Arnaldo Pomodoro. Particular attention is paid to the work of Mario Sironi, one of the Italian artists represented in the collection from New York, in this ark with eight jobs. The last part of the exhibition is devoted to Futurism, a movement that immediately caught the attention of collectors public and private American works of Medardo Rosso, Gaetano Previati and Adolfo Wildt, to the great names of Giacomo Balla and Umberto Boccioni.
The exhibition is organized in cooperation with production reaching Arts exhibitions and museums, which also publishes the catalog. Also a full program of initiatives to promote and support informational and educational. Among the novelties of this year, visitors will have the Ark of audioguidache free service will provide information about both the exhibition is the recently restored frescoes in the nave lateralidella former church of San Marco. The exhibition is included in the calendar of Experience Italy, a program of exhibitions and events organized in Turin and Piedmont to celebrate the 150th anniversary of the unification of Italy.

Ark Church of San Marco Piazza San Marco 1



hours from Monday to Friday: 9-19
Saturday and Sunday: 10 -20
(ticket office closes one hour earlier)

Infoline and booking
callcenter 199 75 7516
tel. +39 02 43353522
www.guggenheimvercelli.it

Tech Deck Birthday Partires

Anna Maria Borghese, Princess


Anna Maria Ferrari de Borghese, Nora Balzani, Isola del Garda, 1907

on show in Rome at the Calcografia, albums of the noblewoman, wife of political and race car driver Scipione, author of travel reportage and war

February 25, 2011 - April 6, 2011



Princess and rider, Anna Maria de Ferrari (1874-1924), wife of Scipione Borghese, diplomat and politician for having been reported that led to the success of the crew who participated, on board an Italy, Peking to Paris car to the raid of 1907, during his life picked up, he ordered eight thousand photographs and wrote almost all taken from her, with the exception of some attributed to her husband. This body, guarded by his nephew Novello Cavazza and remained unpublished until the atrium Festival 2010 ("Report / Pictures, words, stories), is now displayed in an exhibition entitled" The story of an era. Photographs from the album Princess Anna Maria Borghese, "staged at the Chalcography of Rome from February 25 to April 6 by Maria Francesca Bonetti and Mario Peliti.

These photo albums, covering the period 1898-1924, will enrich the archive of images of the twentieth century Italian National Institute for Graphics. The goal of the photographer is open to adventure trips in many countries along with her husband: among others, Russia, Turkey, Tunisia, Egypt, Persia, the ' Uzbekistan, Afghanistan, China and Japan. It focuses also on the experience of World War I, lived as a nurse directly. There are, then, images of the Avezzano earthquake of 1915 and reconstruction after the earthquake of Messina in 1908.

This is a collection of exceptional interest for the freshness, freedom and curiosity of the gaze, but also for the ease of composition of the snapshot, snapshots made with the small-format box camera, not professional, then just put marketed by Kodak. The visual story of Anna Maria Ferrari de Borghese joins the one of the most famous contemporary Francesco Chigi Primoli and Joseph and Louis, well known representatives of the Roman history of photography. His testimony, historical value and historical photographs, like that of other distinguished "amateurs", is at the limit of the amateur, to appear almost albeit unwittingly, to photojournalism.

The exhibition presents original albums and reprints. The catalog, in Italian and English, is published by Peliti Associati. In Network Connections



'National Institute for Graphics

Much My Jet Ski Worth

Are not made for these things!

Once we were talking, my father and I do not know exactly what. Maybe I wanted to impose, yet again, one of the stereotypes that is built on adolescent girls, such as "write SMS with the SMS language", "go disco", "going around in a herd with other geese to laugh about stuff like geese geese "," shopping place on top of things to be preferred as a hobby. " As I said, I do not know exactly what we were talking about, the fact is that I try to conclude (I do not like to try to impose my personality because I consider it a natural right) with a "are done so. "
And he replied: "No, you are really hurt."

The fact has already been forgiven and quickly forgotten, even if tensions continue to exist, of course. But there I was really bad.
What it means to be "hurt"? Is there a right or wrong way to come to the world, in terms of personality? Maybe it is from us, anyway?
With those words I felt unwanted, like I was a mistake. A doodle in the biography of my parents. Something to play with the whitebait to make room for another word in beautiful handwriting. This
I am writing because I have nothing to write, but it is important. I do not believe at all that we can be hurt, in any case. Even if you are born with XXY chromosomes, and for this you're pretty short-tempered: no, that's not an error. You.

I'm reading The Thousand and One Nights , and I must say that although I like matryoshka structure. I'm reading the first of four volumes total and I missed a couple of stories to preserve my sanity, but oh well. It is not bad, although there is a continuous "kiss the ground at the foot of man" and half of the women's book betrays her husband with a slave. I like the fact that there are also Ginn not only men and women, and also the fact that women are not only ornaments or Madonna as sacred in some writings of medieval Europe.
ARGH. I'm not the best person to write pages of journal. But as this address exist as personal plaything, not a document to be reliable and true.

Seebaru

Cream Gatefold Invitation Michals

knives, please. The Challenge of 100

journal The bad is that I never know how to start writing a page. Each time is more difficult than the first time and do not understand why. ARGH!

Yesterday my best friend came to my house and made me listen to a song. Entitled "Melancholy Goodbye" and is sung by CapaRezza and Tony Hadley - the latter being the frontman of Spandau Ballet, and a voice from * * Q.
I do not want to lose the meaning of the song, about what I liked or how much truth there is in, because if I did forget what I mean, what happened before with other pages of the blog (yes ;). Suffice to say that I did not expect a song or CapaRezza I would have never liked Tony Hadley so much. And the thing is frustrating, because when my home computer and who knows in what city, in a home of HP to be changing the fan, who last week croaked in a manner so little reassuring to I fear that the contraption was about to explode ... so I can not even add it to your iPod to listen to make me hate.

Since yesterday I have decided that m'impegnerò - I will endeavor, indeed. And if I remember - not to give more biased opinions on anything. I repeat again that in many Italian music sucks, but there are the songs that I like. Maybe it will be harder against bimbiminkia, Truzzi and company due to visceral hatred, but m'impegnerò to what my conscience allows me.
E 'also why I do not want to judge too quickly, the authors of the books that I do not like. I believe that it is people who are able to evolve and improve, writers are able to offer the public something really nice to read, and maybe the public will be able to fully appreciate what it's worth, not just the current fashion .
This is not to say that definitely read the sequels of Fallen or the Book of Fate. These books are different, but the same story ... if I did not accept the setting, I will not accept the rest, however it is written. I can only give my support to what I can, hoping that a later work is better than starting.
I can not believe in people, but I'm sure want to believe in people. I'm just like: a lot of good will power, but very little in place. Please understand.

Brunton Echo Riflescope

photographer Mick Jagger "The Photobook







by François Hebel





arrives in Rome the exhibition "Mick Jagger. The photobook ", edited by François Hebel, produced by the Foundation for Photography Form of Milan and the Rencontres Internationales de Photographie in Arles and promoted by Fondazione Musica per Roma. The retrospective is dedicated to the image of man that not only did the rock history but has become an icon of style and fashion. A face-changing, chameleon personality, cheeky look, the sleek body, sensual lips here is the rock icon that has spanned more than all the history of music of the last forty years populating the imagination of generations of young fans. "Mick Jagger - The Photobook" presents a series of 70 portraits by famous photographers since the beginning of his career to date have met, photographed, documenting her face and especially his ability to be a character
always new, always different, always against the grain. From the first shots of the '60s Goodwin, Mankowitz and Périer and through the trials of Cecil Beaton, until the very recent portraits by Annie Leibovitz, Karl Lagerfeld, Anton Corbijn, Mark Seliger and Bryan Adams will go through the metamorphosis of those who helped create the aesthetic of rock and only



Fondazione Musica per Roma
Viale Pietro de Coubertin, 30 - 00196 Rome
Switchboard Tel 2006 802 411 - Fax 06 80 241 211
Infoline 06 80241281 (from 11 to 18)

The Major Parts Of A Ship Labled

Milano & Asian Art." Seven exhibitions in the heart of Milan




"Milano & Asian Art "is an event, is the fascinating collage of the different feel, interpret and live the common transport to the ancient Asian culture. Six locations
altrtettante for exhibitions, from Israel to Japan, looking to the Far and Near East: * Capturing

BEAUTY - ANTIQUE JAPANESE SCREENS AND CONTEMPORARY CERAMICS
Via Pontaccio 12
* CELESTE - EMPIRE CARPETS
Via Manzoni 37
* CHINESE EXPORT PORCELAIN
Burgundy Street
9 * DESIGN: 80% AIR
Via San Simpliciano 6
* MUSICIAN AND DANCERS OF ANCIENT CHINA
Via Gesù 17
* SAMURAI. ART LEADS
Via San Damiano 2


also the location of the collection

* Museo Poldi Pezzoli
Via Manzoni 12



creating "&" a group of galleries has been united to offer more: Renzo Freschi, Gracis Gallery, The Galliavola, Illulian, Helena Markus and Joseph Piva, with foreign guests Assa Ashuach Yufuku Studio and Gallery -Tokyo, enhance their individuality together in a new and purposeful whole.
& The feeling of collaboration has already proved its worth at the time of birth, last year, "Passion Japan." Now offers the public not only in Milan "Milano & Asian Art", the first Italian event dedicated to Asian art in general. E 'related to the premature celebration of New York and London, but arriving at a later date by increasing the number of participants allows positive expectations. Those who attend the event
believe in the possibility of building each year, with the effective contribution of new galleries and artists, an event linked to many aspects of art and oriental culture in order to become intrinsic to current exhibition in Milan: an annual event not to be missed.
"Milano & Asian Art" is an artistic career, including some large and complex cultures of the Asian continent, which runs through the center of Milan, their place in the cultural and institutional exhibition which recently closed the show Royal Palace dedicated to Islamic art, another aspect of the vast Asia.
"Milano & Asian Art" suggests a route as a destination for artistic excellence of the precious collection of the Museo Poldi Pezzoli. Occasion, the Museum will report the specimens of his collection of Asian art, such as weapons and armor, ceramics, objects, netsuke and carpets. (Www.museopoldipezzoli.it)

TECHNICAL
event Milano & Asian Art
dates February 15 -5
inauguration in March 2011 Tuesday, February 15, 2011, from 15 to 21 works on display
armor, ceramics, objects, netsuke, screens, sculptures, carpets and textiles
information on individual venues
website www.milano&asianart.com


EXHIBITIONS AND EXHIBITION SITES

CELESTE - EMPIRE CARPETS
Illulian Carpets - Fabrics - Interior Design
Via Manzoni, 37 - 20121 Milano tel 39 026 570 108
illulian@illulian.com www . illulian.com
The celestial dragon and the collective are the elements that draw thousands of years old and the Chinese empire, a color and a symbol that is also the thread that binds the rugs on display in this exhibition. The core consists of copies of the nineteenth century decorative plant with extreme sophistication that goes beyond the purely ornamental value in the precise meanings of many symbolic elements that compose it. It 's the case of complex composition, full of Taoist and Buddhist symbols combined with floral sprays of flowers, the blue carpet at the bottom (below left). Each rug has exhibited in the unfolding of the borders of the fields or in the decor of many people this rich symbolism. In the bottom right area rug is blue to symbolize the gods of the empire while the medallion and the border is repeated an elegant dragon emperor iconographic representation of the person but also beneficial to the shape of the throttle, the peony and the bat ... Not there is no reference to the figure of the empress and the main symbol of good luck in Chinese culture, the phoenix, represented in the four majestic Cantonal large rug blue field (below middle).

DESIGN: 80% AIR
Assa Ashuach Studio
London SW6, UK
tel 44 (0) 2075588810 info@assaashuach.com www.assaashuach.com
the Galleria Gracis
Via San Simpliciano, 6 - 20121 Milano tel 39
02877807 gracis@gracis.com www.gracis.com
Air as a new material, as a key element in experiments that the latest Israeli artist Assa Ashuach has developed and implemented with virtual workflows. In the works of Assa everything is new: from the air as stylistic virtual objects to life, thanks to its new digital system, are "open objects" intervention creative user, each piece takes shape and life is unique. This new approach opens up many opportunities to design and promote a fresh aesthetic design, each work, as reproduced is never equal to itself. Assa show premiered in Milan and will test its new digital technology: free to use, modify or change ... Light Fly
Úpice Sofa OMI Light

MUSICIAN AND DANCERS OF ANCIENT CHINA
Renzo Freschi Oriental Art
Via Gesù 17-20121 Milano tel 39 02794574 fax 39
0276399084 info@renzofreschi.com wwwe.renzofreschi.com
A collection of figures terracotta magic with their simplicity of form, comparable to the freshness of the melodies of flutes and the grace of the dances they want to represent.
The custom of this kind of sculpture can be connected to the popularity and importance of music in ancient Chinese culture, in all provinces and for all dynasties. As in reality, are represented in whole groups of musicians accompanying the dancers, but also one and the others in single figures, sometimes in natural clay as the group at the center dating to the Han Dynasty (25-220CE) in the province of Szechuan , and go back to the Tang Dynasty (618-907 AD) the two side groups in polychrome, as some still show traces of color. Capturing

BEAUTY - ANTIQUE JAPANESE SCREENS AND CONTEMPORARY CERAMICS
Helena Markus Antique Japanese Screens
Via Finocchiaro Aprile, 14 - 20124 Milano tel 39 026 575 794
hm.byobu @ gmail.com info@arteorientale.it www.orientalart.it
GalleriaYufuku - Tokyo
Annecy Aoyama 1F, 2-6-12 Minami-Aoyama, Minami-ku, Tokyo, Japan 107-0062 Tel 81-3-5411-2900
wahei@yufuku.net www.yufuku.net
to Palazzo Crivelli - Via Pontaccio 12 - 20121 Milano
aesthetics Japanese art and life are inextricably linked to nature and its effects on the human soul, a principle which is the basis of this dual exhibition that combines painting, poetry and ceramics in a confrontoincontro between periods. Poetry is the link between the old screens and contemporary ceramics. Screens on the doors of the unroll images of a poetic nature sometimes filtered from abstraction as fans of the screen that told in the second half of the Edo Period (below left), is sometimes represented with an almost photographic perfection as hawks, most of the real true, which occur in the screen-zu Kayo painting in the early Edo period, circa 1650 (below right). On the contrary, the poetry in the ceramics is suggestion in the suggestion of the title, the charm of the subject, spell of form as in the work of Mihara Ken Genesis (below right) and Nagae Shigekazu forms in succession (in left) brought to Milan by Wahe Yufuku Gallery Aoyama in Tokyo, the most important gallery of contemporary Japanese ceramics to which the British magazine Apollo (October 2010) devoted an important space.

SAMURAI. ART LEADS
Giuseppe Piva Japanese art
Via San Damiano, 2 - 20122 Milano tel 39 0236564455
info@giuseppepiva.com www.giuseppepiva.com
A review focused on the bushi, or the Japanese warrior. Works elegant and sometimes whimsical, to affirm the identity of who leads them, the exact opposite of what is happening in the Western military areas, where the "split" work to undo the single personality. Are exposed blades, helmets, spears, armor, masks and accessories for Japanese warlords, designed as an element of social status as well as war and defense. Elegant in the essentiality of form as the series of 12 arrowheads (below center) of the Edo period, but just as refined on the contrary full of minute details in the description of the Japanese army at the start of the war the inro (below left ) Lacquer of the nineteenth century. Rare and precious is the Sofukurin kabuto (below right) of the first half of the Edo Period, which is decorated with a Meade original Edo period. CHINESE EXPORT PORCELAIN


Galliavola The Oriental Art
Burgundy Street, 9 - 20122 Milano tel 39 02 76007706
info@lagalliavola.com www.lagalliavola.com
The Galliavola selected, in a private collection in Milan in the '60s and '70s, a collection of porcelain of the highest level of international taste. The body of the exhibition is made up of porcelain and works of art produced between the seventeenth and eighteenth century during the Qing dynasty in the kingdoms of Chinese emperors Kangxi, Yongzheng and Qianlong. Objects that are intended for collectors and careful refined taste, like the plate in the famille rose enamels Guangzhou Qianlong era (below center), which highlights its strong ties that bound the decorative art and nature. Often on display on the table of letters, objects speak of legends and myths, religion and symbolism as in the case of washing brushes Kangxi Period of 1662-1722 represented an image as a rock, including mobile fish, trees and pagodas (below left). Sometimes they catch a glimpse outside influences arising from international trade, such as the Lion Dog of For, or Buddhist (below right), a biscuit of the Kangxi period around 1680-90 decorated in the Chinese version of Kakiemon, the version introduced to Arita in 1660 - about 1670 following the suggestion of the Japanese model. Following the tradition of the Gallery, the exhibition will be documented in a thorough and elegant catalog.


data source: ANNA
BEARS cell phone and fax 39 0289010225 39 3356783927
anna.orsi @ @ pressart.eu anna.orsi alice.it www.milano&asianart.com

Building Plans Dunk Tank

Zanelli ... again!

And here we are with a mini-update of the Ramones to which he returns (again) to peek at the house of Aurelius. And here we need to spend a few words, but I will try to be brief.
I usually play for a season in each house only that, the last time I played with the house of Aurelius I have too many pictures and I did not finish the season-_-'deluded from perfect, I wanted to play two days missing without pictures, but obviously did not succeeded. So I caught a very short update, rather bland and a lot of spam in which I tell you the last days at home and then touch all'ISBI Zanelli.

and begin with the revival of Romeo, as a good simmolo obedient, very good care of his personal hygiene, even if he has a pittance of points order.



Our Aureliuzzo, despite his age, has not lost his habits from Latin Lover;



there's nothing to do, he knows how to make an important simmola ^ _ ^



In short, it will age, but is now flirting with Kenya itself everywhere ...



... without worrying about the present and often are not very happy to attend such effusions



... and, very mysteriously, gain enthusiasm for music and dancing after losing points report ... and all without lifting a finger.



The two old men, who seem to live a second youth, not just break down ...



... and Kenya does not ring true to finally have it all for herself Aurelio.



Chimera still does not appreciate the outpouring of in-laws ...



... and decides to do-_-'



Aurelius, who is not accustomed to being beaten by a simmola, remains quite thrilled-_-'

Aurelio: "Ma .. dear child ... What happens? Why you hit me instead of jumping to the neck and claim effusions? "



Chimera: " I hate you and not the true reason nobody will ever know! Even the sum creative! "



Aurelio: "But this is impossible! Supreme creator always knows everything! "



Kenya: " Congratulations dear. You are the worthy wife of a Tricou. "



even if you hate him waving for him! Mah!



Kenya: "We have a beautiful daughter! I'm sure it will conquer the world in alliance with Oliv (i) to! "

Aurelio: " I do not understand why instead of kissing beats me ... "



Aurelio : "Sorry dear but I can not understand. What have I done? Why do you hate me? You know, usually simmole and love me so much! Modestly eh! Mica say all this to brag, but just because I do not understand ... and, between ourselves, I am sure that the sum must be quite a bit perplexed ... "



Chimera: " But I do not know! And 'when I see you flirting with me Kenya is a uncontrollable desire to beat you! But you have not lost your charm, because right after me waving to you! "



leave by Chimera with his theory of" carrot and stick "and the only concern ourselves with this simmolo home that gives me satisfaction. He, in addition to constantly treat his personal hygiene, has satisfied the first job that I happened to pull back and also at home with a promotion day.



At dusk Aurelio (think very kindly by a Supreme Creator who hates simmoli see that they do not agree) decides to call his future ex-lover Elisabeth and break all relations with her pink hearts and involving or red.



Aurelio : "Enough! It's all over between us because the sum ordered me (and I do not ever disobey the top) ...



... and then also why I got the toys, made with my hands loving you and to your nephew you have not even deserve to be called to thank me! "



Ladies and gentlemen, here is the end of a love.



After this event worthy of note, everything seems to go from good to better: Chimera, who no longer feels obliged to monitor in-law, finally finds work in career education,



I can take Romeuzzo of wandering around the house half naked * _ *



and can finally watch the first day of picchiatrice-Laws to treason!



But this was too good to be true and Chimera does not have time to go to work that is being fired.

Chimera dear, you're putting to a severe test my patience, know this!



Chimera: "I do not I can do it! ...



... all those kids screaming make me headache! ...



... Sometimes I just want to kick him one by one! "

Yes I can understand how you feel, but you must make an effort because you want to become minister of education!



And so, realizing that it is not really the case to make me angry, you are looking for new job and, fortunately, his place as overseer of the playground is still available.
All under the watchful eye of Aurelio, because there is simmolo simmole the world who understands the better of him and he understood very well that his daughter did something wrong and needs to be comforted. So ...



... played all the console! (What did you expect? O___O)

And then you take that long that spam has two purposes: to stretch a little update and make you see so many facets funny ^ _ ^













Finally, after the break with Elisabeth, Aurelio can make love in peace without the daughter tries to assassinate him.



Romeuzzo It continues to give me satisfaction



Romeo "Total Look! It's snowing! So we are going to change the season? "

is expensive, luckily the update is almost finished and I will get to play in a home much more quiet: the house ISB!



and enjoy this moment for a spammino on Romeuzzo who has not seen almost since his wife has not stopped a moment to get my attention-_-'







Here ... At this point I have a couple of questions: 1
. Why Kenya, which is expected to fly, take the car to go to work?
2. Because there is so much space in the car with you, you sit inside one another? But above all

3. Would not it be more logical position with Aurelio in Kenya and above?

But! Experience!



And you, you spend your days to sew clothes for your wife, how about to undertake more creative?



Romeo "The Sum told me to undertake more creative ... but sewing clothes is not creative enough? "



Chimera: " You know darling, I think the top with the word does not intend to create something artistic like painting, sculpture, sewing, but. .. um ... Creating simmoli "

Romeo "Ahhh! It meant that creation! "



* jingle * ^ _ ^



And we are really at the end of the upgrade. Aurelio Kenya and greet you dancing the Hula



while Chimera decided to experiment with new poses that defy the laws of gravity ^ _ ^



's proximity to the ISBI:)