Sadlier Oxford Answers Level E

Mediterranean from Courbet to Monet to Matisse



Mediterranean
from Courbet to Monet to Matisse
Palazzo Ducale, the Doge's apartment
27 November 2010 - May 1, 2011


Painting the sea, its vastness, the idea of infinity and yet also close to you it occurs, is something that assume significance in the nineteenth century easily forgotten.
To the north are deeply spiritual visions of Friedrich or flickering and storms of magmatic Turner, south of the Mediterranean coast, and of course its immediate hinterland of Provence, is the meeting point of several generations of French painters, surely five that the scope of classicism and realism first and then, you tend to the dissolution of the wonderful color in the field of Bonnard near the border with half of the twentieth century.

The exhibition at Palazzo Ducale want to study, using about 80 paintings from museums and collections around the world, this magical journey into the color, so that Van Gogh did write: "changing colors, You never know whether it is green or purple, you never know if it is blue, because the second shot after the reflection has taken on a gray or pink tint. "
Yet the French Mediterranean coast was imposed after a considerable delay in the perception that the painters had the landscape at this beginning of the nineteenth century, just when Pierre-Henri de Valenciennes published his famous treatise on the representation of nature. Persisted the idea that the concept of the Mediterranean close to the sense of antiquity and was first to Romania. So the reference to the Italian coast, such places for this to go back to the ancient, dominated the paint. A key contribution to a first change, after the paintings Robert Vernet eighteenth century and from which the exhibition begins, came to Camille Corot, who after a brief stay in Provence in 1834, he returned two years later with his friend Prosper Marilhat painter, so as to paint some views of the area of Avignon very significant. At this time of realism can be certainly ascribed to the works of Émile Félix Ziem and Loubon, with their pictures made around Marseille, Nice and Antibes.
well as those of Paul Guigou and Adolphe Monticelli, of course, along with those wonderful paintings of Gustave Courbet, especially from the small fishing village of Palavas in the area of Montpellier. At this time of the first shows it happens a second, that in which some major damage on behalf of Impressionism, in many pictures sublime, their visits or long stays in Provence and along the Mediterranean coast. From Cézanne to Monet, from Renoir to Cezanne to Van Gogh Boudin since the seventies that has cultivated a space, be it the sea or the forest, such as the birth of a continuous, ever-new beauty. Renoir, Cézanne painted his neighbor, between 1882 and 1883, beautiful views of nature. And yet the net twice during Monet (in the show with a dozen works) in 1884 in Bordighera, between Antibes and Menton in 1888, when the sea is like a carpet of precious stones.
And then two years of Van Gogh's Provence Years immediately followed by those of post impressionism which are mainly in Signac between Saint-Tropez and Antibes their spearhead. But Van Rijsselberghe, Cross, Valtat, Guillaumin, Manguin, Camoin just to say a few. And in a light French are primarily those paintings that Munch painted in Nice, during a recovery period, between 1891 and 1892, almost all paintings in private hands. The section devoted to the painting of the Fauves is certainly significant, with paintings by Matisse, Derain, Marquet, Braque, Friesz, Dufy, in that they indicate how the Mediterranean, only a few decades later, is something almost completely different visions of Courbet. Already fully into the modernity of a century which was just opening up. And that in region of Provence, and on the shores of the Mediterranean, will continue with the examples in the exhibition of Felix Vallotton, Pierre Bonnard and Chaim Soutine, the painter who more than anyone else has been able to deliver the stunning Monet lesson in the new century.


HOURS Monday-Friday: 9-19
Saturday and Sunday: 9-20
Closed 24, 25, 31 December 2010
January 1, 2011: at 10-20



TICKETS Full price € 10,00
€ 8.00 Reduced: college students with proof of registration, more than 65 years, only if booked groups (minimum 15, maximum 25 free with parent), TCI subscribers equipped with card.
€ 6.00 Reduced: minors and schools only if you book (with two companions for free).
Free admission for children under five years, journalists, students with ID, companion of a disability. Buy online




Information Address


Palazzo Ducale Piazza Matteotti 9 16123 Genoa

Tel 0039-0105574000 Fax 0039-0105574001

EMail: palazzoducale [AT] palazzoducale [dot] london [dot] com

Opening
The Palace is open daily.
The schedule of exhibitions to pay 9.00 to 19.00 from Tuesday to Sunday, closed Mondays.
The ticket office is open from 9.00 to 18.30.

Does La La Wear A Weve On Her Show

Archives & Museums

This morning I had some commitments.
I should raise my ass out of bed and complete a number of things, print out some documents and resume my studies in criminology.
I did not and a slight sense I suddenly gripped her stomach.
I can not forgive myself, I would have missed something.

" you take care of the museum of criminology ?"
"Yes "

I had wandered for some of the rooms of the subject. The body of the condemned
I'm not entirely unknown, it is not the archive of the Vicariate of Rome and some are not punitive and penal systems.
But I had never examined a number of cases, except one chosen by me years ago I had taken a series of workshops that would take us directly from the stock mice. We started with
historical archive of the Vicariate of Rome.
After three days of reading I came to the conclusion that the husband reported his wife attempted stabbing.
he was beginning to want to be pushed out by younger lover, during the scuffle, his wife nearly kills him, and he has denounced.
My teacher noticed my bewilderment.
A weekend I finished the job and I was open the doors of the Historic State St Ivo alla Sapienza for a new seminar on the legal systems of Rome in modern times. Speaking
F. we realize that is not bad idea to go to jail.
Room and board for free without paying taxes.
Ok, there is not much ... supercarcere inmates also have the TV or so I heard.
Reflecting on the territorial situation I realized that parts of these prisons abound: the prison, the prison carcerette and super.
not really know the real names of these places, I just know where they are.
no coincidence that there is a company of good death, which was founded in the early seventeenth century. and the most important part of the pre-Easter procession about the penitents, who until the end of the nineteenth century were only those sentenced to death. One of them, by lottery, would receive a pardon.
I see a set of situations that are governed by a thread I wonder when this sfibrerà definitively what will happen.
My studies remind me of the birth of dictatorial regimes, but from my point of view, we are already under the scheme.
My professor of law had told me to feed some concern for me because I saw on the streets with the red flag ...
probably his imagination he could have covered only the head, the far left or the years of lead.
do not know. Today
revert to seeking. I
much to ask, among other things because he insisted to teach political economy that did not know ...
nice woman, was only troubled by his prejudices but once we had classified was ready to give you its full support to overcome your flaws.
moral support.
With his moral law.
I'm going to print out the files that I transcribed from MUCRI.
'll get a coffee at the bar.

Funny Birthday Party Names

101 Loa

This morning I opened my eyes and lay me beside the placid book on criminology.

Cat on the book.

A beautiful pyramid. After several attempts

computer I pulled out of the closet, my old pc.

Everyone has their skeletons.

My skeleton is an HD dead for centuries.

I reassembled, and now it works.

It 's a bit like going back to old habits for having read the failure of the new.

Yesterday, for the first time in the house between wolves, I received mail.

In reality there is not even written my name on the envelope so I do not arrogate to themselves a right that it is for me, but since that is my mailbox ...

The letter is a Catholic association to send aid to Haiti. The letter stated that in order to rebuild something we need to have the funds, but apart from the first moments when all are taken from time to doing good and who then disappear still does not know how.

It 's the same association through which my grandfather was helping war orphans. He sent money for 40 years, once a month or every two months and updated on the results of the work. The

because I was reading when he was alone.

When we were alone my grandfather was not a crazy antisocial, when any one came into the room we became.

So, considering that as someone wrote, "the problems of Haiti are due to lack of faith" and the fact that someone is able to stick to the ass even without a name on the envelope it seems only right to give someone the opportunity to to believe in something and me to cozy up to some Loa. You never know, if we come to know that the whole canopy Catholic at least I hope it does not work somewhere else.

While I was waiting a long series of updates for my computer corpse exhumed, I happily read the twelve hundred questions that continue to run under a different form but that hit, worse than the three-year rotation in the Middle Ages, the lack of imagination in the sailors.

I decided to propose it at times with an answer, sometimes not.

1. Last thing you drank: I believe it is essential to understand the spirit with which we deal with ninety-nine remaining questions.

2. Last call: From the car window, yesterday, to prevent an event spiecevole.

3. Last Post: Take out the garbage

4. Last song played: The Secret of the Sahara, trying to collect ideas to make my poor Florian Chei the ability to address the disaster.

5. Last time you cried: Last Sunday, I think. It 'nice to note that it is not absolutely important, is like saying "last time you made the statement of income" last year.

6. Have you ever been to two people? To do what?

7. Have you ever been betrayed? Yes, the elections for treason afraid of my skills.

8. Have you ever kissed someone and then regretted it? No, my repentance is not the kiss, only lost time.

9. Lost someone special? Yes .. although when it slipped out of my pocket I have not noticed. But if someone happens to find him please contact me.

10. Have you ever been in crisis? Apart from my desire to establish what kind of crisis it is, in general are about um ... 25 years of continuous crisis.

11. Have you ever gotten drunk and threw up? Faced with this demand nod as Dustin Hoffman in Rain Man

LIST THREE COLORS FAVORITE:

12.

13.

14.

I will not do the effort to do so.

THIS YEAR HAVE YOU:

15. Made new friends? Yes ..

16. Fallen out of love? Panta Rei ... something.

17. Laughed until you cried? Even up to gasp and throw me to the ground.

18. Met someone who changed your life? Something like that, no one has changed my life, maybe Oppenhaimer could do so much ...

19. Found out who your true friends? No, but I understand who I really hate it.

20. Found out someone was talking about you? Not usually spout.

21. Kissed a do your friend? on the cheek? Better than the sacred.

22. How many people on your friends to know in real life? I do not know anyone, the limit I remember the names.

23. How many children you have? I'm not a priest.

24. Do you have pets? We say yes.

25. Want to change your name? Habit now, I wanted to do it.

26. Disappeared into the ether: a missile.

27. How did you celebrate your last birthday? Dew in the North Sea in the freezing rain.

28. What time did you wake up today? It must have been nine

29. What were you doing at midnight last night? I was reading a treatise on criminology

30. What is the thing for which you can not wait? Sometimes risk of pee under.

31. The last time you saw your father? In September.

32. What is the thing you wish you could change about your life? Life.

33. What are you listening to right now? M. playing guitar.

34. Have you ever talked to a person named Tom? Sure, Tom. And if you refer to that if he did not touch did not believe I would say no, but I could do it in the next vision.

35. What's getting on your nerves right now? The ideas that crowd and I can not manage.

36. The most visited web page? Top secret.

37. What is your real name? Not that the identity card, is correct, the wrong people.

38. Nicknames? I just have to use my last name.

39. Are you engaged? Should I?

40. Zodiac sign? Leo, Pisces rising and a dragon with the dominant element in water.

41. Transsexual man or woman? X, Y, Z. ..

42. Primary Schools? Without a long time.

43. Medium? The Barbarian Invasions.

44. Superiors? Living in a prison, just get their cocks and know how to handle the case alliances, Machiavellian survival ...

45. Hair color / eye? Always the same.

46. Last book read? The melancholy in Van Gogh

47. Height? Do not you unleash it against my hatred.

48. Do you have a crush on someone? No. Sometimes I suffer from enthusiasm, but I'm trying to get over.

49. What do you like about yourself? Spirit.

50. Piercings? I have three holes, it's the same?

51. Tattoos? The second aspect.

52. Are you right or left? I see a woman drowning.

FIRSTS:

53. First surgery? 8 years

54. First piercing? Again? I have the usual three holes, then a good ally I had a guy who was cool school full of money that I had mistaken for a sort of "spiritual brother" do not know why, though a date for the submission at my house asking him to bucargli ear. Done. More significant than this was the episode where he decided that was to take a bicycle, but no one ever asks.

55. First best friend? It 'disappeared, I do not know where they have brought.

56. First sport you joined? Swimming

57. First pet? My father.

58. First vacation? I do not have vacations, I soloperiodi that do not work, the holiday is a concept that I can not apply to me.

59. First concert? I did 6 years.

60. First crush? Burned.

IN THIS MOMENT:

61. Are you eating? I would not say

62. Are you drinking? Not that either, but it is nice to see what someone cares about what you eat.

63. You are about to? Check the Netbook to save you from future claims.

64. Are you listening? This is one of those tests that if you fall in contradiction encase you or make you disappear.

65. Are you waiting for? I pay next month

YOUR FUTURE:

66. Do you want children? Again? Yes when I am a bishop, or when I can afford my (not to give the association the Holy Roman Catholic Church).

67. Want to get married? No, I would like to enjoy a quiet life.

68. The career you have in mind? At this point I become a Somali pirate.

What's better:

69. lips or eyes? What is beautiful ... obvious eh? I would like to say see you eyes and in the meantime watch your ass ... so we do not do the fake romance. Scenes such as "treasure that beautiful hands" and be told "you're looking at her tits" should not be edifying.

70. Hugs or kisses? If possible, avoid both.

71. High / Low ao / a? More and more of me.

72. Younger or older person? How much ???????

73. Romance / ao spontaneous person? The romantic can not be spontaneous? Everything.

74. Nice stomach or nice arms? A beautiful smile.

75. Sensitive or loud? Ironic.

76. Hook-up or serious relationship? Seriously a story.

77. Taunting or undecided? Provocateur. With the undecided do not get along, I always have to decide myself.

YOU EVER:

78. Kissed someone you did not know? No, I kissed the pole.

79. Drank hard liquor? Product.

80. Lost glasses or contact lenses? Yes

81. Had sex on a first date? I did not know it was her first date!

82. Broken someone's heart? No, never killed anyone.

83. Had your heart broken? More vents that broke, the valve does not close properly.

84. Have you ever gotten drunk? Yes

85. Have you ever been arrested? No, the limit on temporary custody controls.

86. Turned someone down? From where? Trampoline, boat, bed, sofa, chair, stairs, wall ... pe ril wall I had made a good sermon.

87. Cried when someone died? Yes, but since I intend to continue with the answers as memento mori, I will not go now.

88. Had a crush on a / your a / a friend? I will not fall in contradiction bastard!

CREDITS:

89. In yourself? In my rationality.

90. In miracles? What?

91. Love at first sight? No, that is not love.

92. In heaven? More hell.

93. In Santa Claus? Of course, from the Finnish tradition.

94. In Karma? No, I always ask myself the same question "why"?

95. Kiss on the first date? It was not better, at this point, the fuck?

96. Angels? See the entry: Karma.

ANSWER TRUTHFULLY:

97. There a person you want to be there with you? Of course, more than one ...

98. Have you ever had more than one young person at a time? In what way have?

99. Have you ever told someone you loved him and was not it? No, I usually say no more. Do not tell lies.

100. Called this a hundred known truth? If someone called you a movie one hundred nails ...

101. What drives you to live every day? The curiosity and not wanting to be the prey of cowardice.

After completing this nice interview I fished out my car last week I had sacrificed on the altar of city traffic. I love

drive. One thing that is not strongly in Kiel was my car.

Not that I needed, except for a couple of occasions, but that's the concept that I like.

I like driving, it relaxes me.

I like to keep my hand on the gearbox, the engine felt when sliding from one brand to another, shift in relation to the reduction of engine speed. I concentrate and, in part, my body automatically becomes one with the medium.

Romantic, eh?

you leave your approach to life, since I've had enough of mine.

Would You Ever Go To A Gay Sauna

Lawro, Rubik & the existence format netbook

's all day long I think about Lawrie.

Blame for half speech made before going to sleep.

E 'as if my thoughts were finished in a strange mechanism that makes them go down and then go back and bring with them when Lawrence and his smile.

E 'all day I fight with the netbook.

E 'slow and I can not do what I should do.

No evidence, no certainties, no organization.

E 'from yesterday that M. I repeat: "Every day is a new life."

The life of this day is about to end, I do not mind.

I'm wearing that state of dissatisfied with melancholy.

I could put myself to look carefully the causes, but do not think it necessary.

bangs his head against some organizational nodes and finally I can say that if it does not do evil however tired.

continue to think about Lawrie.

continue to bang your head still for a few hours and then I'll end with this body and forget this life, at least until I wake up again.

last-minute information: the USB stick in the netbook works, only that it is so slow that I want to tie myself to a log and tear the liver near the stuffed eagle Mc Donald's.

The eagle was kindly donated by S. I last year.

While cursing to myself because I just spilled a cup of tea, I came back to mind another piece of speech, made long ago, in which I was reminded of dividing life from work.

Work is work.

It 's a continuous opening and closing doors, or is the Rubik's cube.

Life as a Rubik's Cube If you can do each face of the right color and you do it by themselves without taking the colored squares, well, you were good.

course Lawrence is bravo.

Bacteria Infection In Tongue

"Onomatopoiea," the fictional island of


19 November 2010 - January 9, 2011

on display in Florence all'EX3 texts, drawings, installations and sculptures by the Scottish describes a world full of complex characters, gods and scenes: a mock company that recalls the works of Faulkner, Borges, Broodthaers

EX3, Centre for Contemporary Art in Florence opens Friday, November 19 "Onomatopoeia Part I", Charles Avery's first exhibition in a public space in Italy, in collaboration with Frac Île de France / Le Plateau in Paris, the Kunstverein Hannover. Scottish artist, born in 1973, Charles Avery lives and works in London. From 2004 he devoted himself to a single project: The Islanders.

Through texts, drawings, installations and sculptures, The Islanders describes life on an imaginary island, with its geography, its flora, its fauna. An explorer leads the viewer to discover the secrets of the island, its inhabitants and the particular laws that govern it. What
created by Avery is a complex, structured according to specific rules, where everything has its own name and its function. Onomatopoeia is the fictional city at the center of the island, the Noumenons are animals that no hunter has ever been able to capture, the archipelago of the axiom of Wittgenstein is surrounded by the Analytical.

overflowing imagination of Avery, its amazing invention, do not seem to know no limits. The creation and detailed description of a multitude of characters, deities, scenes and phenomena tend to confuse the viewer, both for their level of fiction, is perfect for their singularity. That artist is a large company, notional, in some respects characteristic reminiscent of those of illustrious predecessors such as William Faulkner, Luis Borges, or in the field of art, Marcel Broodthaers.

on display, as well as numerous works on paper, sculptures and video installations will be presented a selection of books and films from which the artist has drawn inspiration and design, The port of Onomatopoeia, more than five meters width. The grand design is the heart of the exhibition: "Utility", one of several vessels that accompany tourists and adventurers on the island, has just docked. The pier is a bustle of locals, vendors, tourists wearing the popular T-shirt with the gods and I counted They are infinite, strange animals and a thousand other shady characters. The two ports of entry, "duty" and "identity", provide an early indication of the main attraction: the eternal dialectic.

Ikusa Otome Suvia Free

Cico Act II - or maybe IV

dictionary.

E 'Thus begins an ancient book of local recipes probably once owned by my grandmother.

Boccia : jug.

Cabbarré : tray.

Callarostaro : seller of roasted chestnuts.

coffee pots: coffee mugs.

Erbetta : parsley.

Pila : pot.

Ranfa : octopus legs.

Many other words I had heard him say by my ancestor, the result was always one of my quizzical look, do not understand. I'm not going to take a speech on dialects, pidgins, languages and so on.

was just a day due to the brackets, one of those where you see the fishermen perched on its rock, reeds in the wind.

half I'm going to go to the mountains, let's face it, I will miss a horizon. What

free to proceed to your right or your left.

one where the sun before it drowns in the evening.

one from which come the rain clouds.

What marks your route anywhere you are.

The Scirocco

breathtaking and full auto is the Tramontana and red dust that blows away any cloud, making the blue sky so clear that if it were true that angels are in heaven you could guardagli underwear.

my thoughts go back to summer nights when the coast is populated by many small fires.

You can adjust the breath with the rhythm of the waves which glide over the sand.

Stop.

changed the subject.

If you wonder why the answer is very simple: if you want to open a poetry book and a leggetene.

I return from the course PC for my netbook.

not yet solved the problem but is the third operating system that test.

must begin to suspect that a lot of fun in losing all his time behind my semi-corpse Acer.

this morning that the technician asked me if the next time I go to the land of wolves bring him a couple of kilograms of biscuits.

Barter: netbook - biscuits

"I your cookies rogue! "

" you throw overboard the netbook! "

" Scambiamoli under the mast ... "

Satan! How to write a famous Italian composer which I avoid to mention.

Meanwhile in my house who do not cook the apples with cinnamon.

A simplified form of strudel.

Speaking a few days ago I was warned that I have a good adaptability to the environment where I am, my problem is the absorption of the external environment.

After a bit 'of time alive somewhere some splinter I enter into and remain in aeternum.

To live this commingling of elements that jointly held with my continued exclusion from a place and at the same time revive my "regionalism", which is that of Schleswig-Holstein or Esquiline not matter.

positives and negatives, of course, a foreign element is always fun but it is a cell that can be encapsulated, so that part will always be a foreigner.

golden fried anchovies

Ingredients: 700 Gr

fresh anchovies, 2 eggs, plenty of white flour, extra virgin olive oil.

Preparation:

needed anchovies fresh, possibly "cenciola" fishing boat specialized in their capture, need to be cleaned, boned and washed.

flour well and will pass again into the beaten eggs, then fried in hot oil at 180 degrees.

With this I leave you even more to do.

Ice Cream Helping Heartburn

Soldier known

I am a "victim of war" .

Deadline nice to indicate that someone has targeted me and a couple of sentences out of me.

event the Victorian Theatre, where an exhibition of Van Gogh

Someone decided that my wife is ill at work and complained about his idea of a fact that in my mind has never taken place.
In theory I have discussed with someone, but I do not know who he is and I do not remember the incident.
The guide was so "violently" attacked me, I do not know the reason for the argument, presented a complaint to the responsible organization.
Cascade, the leader has done this to my boss.
My boss has acted.

instant results of my calendar visits zero up to date to be determined.

results reviewed after two hours: days like dew from the cup of exuding any flower quite romantic borne by your imagination.

other event.

Departure of the second torpedo.

See, my colleague, an expert in contemporary art was torpedoed.

results two hours after the event: we have to pretend nothing happened.

pretend that there has never said anything.

What you've read is more or less like this:

I have torpedoed .

Deadline nice to indicate that someone has targeted me and a couple of sentences out of me.

event the Victorian Theatre, where an exhibition of Van Gogh

Someone decided that my work is ill-married to his idea of competition and is , complained of a fact that in my mind has never taken place.

instant results calendar days dusted.

results reviewed after two hours: days like dew from the cup of exuding any flower quite romantic borne by your imagination.

other event.

Departure of the second torpedo.

See, my colleague, an expert in contemporary art was torpedoed.

results two hours after the event: we have to pretend nothing happened.

Remember.

you have not read anything.

My netbook this morning he breathed his last.

I do not know how it happened.

I took him to the service center.

imagine me as the naive prince who spring to his fine round of pirate am convinced that if the resume soon safe and sound.

The guy has assured me that everything would be done in a completely painless for me.

formatting a new windows and bla ... bla ... bla ... In my

skepticism I told him he could do a few are appropriate and ensure that it worked on my netbook.

appointment today at 18.00.

Arrive on time, I was already mine, but the German influence has meant that being late makes me a prey to anxiety attacks and claustrophobia, so coming to work an hour and a half in advance.

not invite me to dinner, I could get for breakfast.

A few minutes after my arrival, the guy I proposed an "exchange" between my PC to be sold and used to buy a course "to be remedied, but he thinks."

Rest hour and a half, meanwhile the guy tells me about his past life in Londonderry and a unnamed country where English is spoken.

reply that I recently spent some time in Germany.

The guy makes me smile and half a parrot that keeps close to the front door looking at me on the pedestal by turning the head. I do not cry out against as it does, however, with two girls in the average age of 15 years who come to get information on a mobile phone.

The girls are frightened for the parrot and one runs out.

I still look like a beautiful statue rests the counter.

The guy smiles and the other says that it will pass tomorrow. "

Tomorrow I'll have to wipe myself and I promised the sunflower seeds to the parrot.

Bella Cico beast (the name of parrot) and the fake fish that the guy is hanging on the wall behind him, those who have the red button and if you press a mechanism worthy of a Victorian mind-noir ago is that the fish moves and singing voice that would be the envy of man candy, what no one should ever accept.

Now I want to write and rum.

Tomorrow will pass by the pirate PC, go on to pick up my check in September and begin a part of the move to my residence in the land of wolves.

Today I placed the compass on the piano, I also brought the Hornblower books, Conrad and metal cups.

Playing a marine environment in the midst of wolves may be out of place I realize, there's the bell away from home! Um ... no, I do not have the bell.
the other day talking with a friend put me in front of the case in which "you could find someone in your house!"
Usually if I find someone in my house I know, maybe I also invited / to me.
In other cases it may be that Damien comes in and out of my house as if it were on the Lady of Johan although when my house looks more like the Calypso.
If I have to foresee everything if someone breaks into my house has no hope of taking away the piano there goes the door. For the remaining
various possible & I hope that someone has brought a drink and some sweets in the Netherlands. If this is someone
Pearce, then closes in and fled abroad.

Do Men Have Wet Dreams And What Is Wet Dreams

Charles Avery Night at the Museum with music



On 20 November the Ministry of Culture initiative to bring the public, especially young people, self and culture rte: hours small museum in the rooms that will host concerts and conferences


concerts, exhibitions and shows for the first edition of "Museums in music," the initiative, devised by the Ministry of Heritage and Culture, which opens the doors of places of culture, November 20 until late at night in order to promote culture and bring more people to art and places that remain.

With "Museums in music" sites of the culture of all regions of Italy open their doors to visitors until 2 am, the musical event, in its first edition, there is, as well as other initiatives, the ' aims to bring citizens closer to art and culture with concerts, musical performances offered free of charge, but also photo exhibitions and documentaries.

Among the many initiatives spread throughout the country, we point you to some proposals.
A Matera, in the evening "Sounding Stones and Stars. Matera, a bridge between history and the stars ", the video projection by Paolo Fresu, by Onyx Jazz Club, which returns to the concert held in the center of the plateau of the Murgia of Matera Space Geodesy 21 July 2009, made to commemorate the fortieth anniversary of a historic day for human history: the landing on the moon, while the National Museum of Medieval and Modern Art of Basilicata, located in Palazzo Lanfranchi presenta la mostra fotografica “Nel paese della cupa cupa”, a cura dell'Archivio Sonoro della Basilicata. Il percorso espositivo è un’anticipazione del convegno che avrà luogo nella stessa sede, giovedì 25 novembre, cui farà seguito un concerto di musiche tradizionali.

Restando al Sud, il piano nobile del Museo di Capodimonte di Napoli si trasforma in palcoscenico per uno spettacolo di musica, danza, poesia e lirica, a cura della Compagnia Danz’Arte, mentre in Abruzzo nel nuovo Museo Paludi di Celano un concerto jazz del Complesso musicale "Noreply Nujazz Five trasforma le stanze del Centro di Restauro in un’insolita casa della musica.

A Roma una rilettura di miti e forme musicali their cultural contexts very different in Argentina presents them, however, Mauricio Annunziata Luigi Pigorini Museum. The event describes a journey through the diverse city of Buenos Aires, opening new scenarios on the famous places exclusively for the notes of the tango. The rtists to provide the public with an overview that far south of Patagonia, leads to the broad plains of the Pampas, and ends in the Andes. To tell the compositions of these places Alberto Williams (1862-1952), the author discovered in his greatness thanks to the interpretations of Annunziata.

Going to Bologna, he investigates how artists over the centuries have been the music in their works for those I want to discover the history of music through the National Art Gallery organizes images paths iconographic "Imago Musicae paintings in the National Art Gallery", the visit has enriched the conference with a projection by Mirella Cavalli entitled "From Raphael choral singing of the ' trio sonata 'Domenichino. "

Farther north, in Trieste on the link between music, art and the environment you can experience the enchanting gardens of Miramare Castle, the event provides for the opening of the extraordinary and free museum, with the concert "Il Giardino Barberini "in the Throne Room, preceded by a lecture by Fabio Finotti on historic gardens.

All other initiatives planned for "Museums in music are available on the website of the Ministry of Culture.

Intellitype Linux Driver

penisolabella @ 2010-11-14T12: 12:00




WHAT DOES MY SOUL while I'm working?
contemporary artworks from the collection Consolandi

by Francesca Pasini and Angela Vettese

14 November 2010 - February 13, 2011

Show

artists Marina Abramovic, Vince Agnew, Mario Airò, Josef Albers, Ghada Amer,


Carl Andre, Giovanni Anselmo, Marina Apollonio, Stefano Arienti, Atelier Van Lieshout, Maja Bajevic, Marina Ballo Charmet, Matthew Barney, Massimo Bartolini, Bernd and Hilla Becher, Vanessa Beecroft, Joseph Beuys, John Bock, Alighiero Boetti, Monica Bonvicini, Davide Boriani, Marcel Broodthaers, Daniel Buren, Gianni Caravaggio, Letizia Cariello, Enrico Castellani, Maurizio Cattelan, Dinos Chapman, Christo, Francesco Clemente, Gianni Colombo, Tony Cragg, Martin Creed, Hanne Darboven, Gino De Dominicis, Tacita Dean, Martin Angel, Wim Delvoye, Paola Di Bello, Elizabeth May, Cruz Diez, Mark Dion, Wang Du, Olafur Eliasson, Jan Fabre Luciano Fabro, Fischli and Weiss, Sylvie Fleury , Lucio Fontana, Giuseppe Gabellone, Alberto Garutti, Francesco Gennari, Piero Gilardi, Gilbert & George, Fausto Gilberti, Robert Gober, Nan Goldin, Andreas Gursky, Mona Hatoum, Thomas Hirschhorn, Damien Hirst, Candida Höfer, Rebecca Horn, Roni Horn, Emilio Isgro, Mimmo Jodice, Anish Kapoor, Mike Kelley, William Kentridge, Jiri Kolar, Joseph Kosuth, Jannis Luisa Lambri, Julio Le Parc, Sol Lewitt, Richard Long, Claudia Losi , Sarah Lucas, Marcello Maloberti, Dacia Manto, Margherita Manzelli, Piero Manzoni, Eva

Marisaldi, Laura Matei, Paul McCarthy, Fausto Melotti, Annette Messager, Sabrina Mezzaqui, Tatsuo Miyajima, Jonathan Monk, Mariko Mori, Liliana Moro, Juan Muñoz , Takashi Murakami, Stephanie Nava, Shirin Neshat, Claes Oldenburg, Roman Opalka, Dennis Oppenheim, Gabriel Orozco, Nam June Paik, Giulio Paolini, Cornelia Parker, Giuseppe Penone, Michelangelo Pistoletto, Paola Pivi,

Luisa Rabbia, Gerhard Richter, Ed Ruscha, Andres Serrano, Jamel Shabazz, Cindy Sherman, Elisa Sighicelli, Ettore Spalletti, Daniel Spoerri, Spranzi, Rudolf Stingel, Thomas Struth, Hiroshi Sugimoto, Wolfgang Tillmans Toderi

Sabrina Torelli, Luca Trevisani, Ian Tweedy, Piotr Uklanski, Marcella Vanzo Nico Vascellari, Vedovamazzei, Francesco Vezzoli, Bill Viola, Luca

Bonnet, Kara Walker, Andy Warhol, Franz West.



The MAGA Gallarate, a few months after the death of the famous Milanese collector Paul Consolandi, pays tribute to him with an exhibition curated by Francesca Pasini and Angela Vettese. The exhibition, through a selection of outstanding works of the important collection Consolandi, covers the major national and international trends in contemporary art from the Fifties to today, demonstrating the great sensitivity and keen insight and the foresight of Paul Consolandi.

About two hundred works of many artists make up the exhibition is divided into seven thematic groups (beyond the material, Horizons, write and write, Dialogues eclectic, body and mind, portraits, self portraits and much, Things), within the thematic sections such as works of artists and historic dialogue correlate with those of younger artists supported by the collector.

"How Paul said Consolandi: Collecting Contemporary Art means you have no nostalgia for the past, and it is this policy that has chosen to interact with his time. His intuition - Francesca Pasini says curator of the exhibition with Angela Vettese - has always given the nascent state of research, so we find the works of germ Giulio Paolini, Alighiero Boetti, Giovanni Anselmo ... but also the photo of the first performance by Vanessa Beecroft, hand pierced by a pencil of indiscipline student Maurizio Cattelan and the early works of Alberto Garutti, Stefano Arienti, Toderi, Elisabetta Di Maggio letters sent by Sabrina Mezzaqui Massimo Minini, before you know it, before making him the first exhibition, embroidery Francesco Vezzoli's debut. And then, Tacita Dean, Gabriel Orozco, Luke Bonnet, Mark Dion, Roni Horn, Mona Hatoum, Cornelia Parker. Masters hailed as Gerhard Richter, Jannis, Thomas Hirschhorn, Andy Warhol, Mike Kelly, Marina Abramovic, Thomas Struth, Rebecca Horn, Cindy Sherman, Anish Kapoor, started in his collection, a close dialogue with young people like Gianni Caravaggio Sabrina Torelli, Francesco Gennari, Luca Trevisani, Dacia Manto, Jan Tweedy.


Born in Milan in 1921 and a notary by profession, Paul Consolandi start buying art in the fifties, with his wife Franca, an archaeologist. Intimate and personal, yet profoundly animated by public spirit, the collection was always a warning stays and public institutions: as saying "this can be done." You can try to follow this at any age and in any condition. Historical analogies and intuition therefore critical alongside the private collection (Consolandi) to public (MAGA) by creating interesting parallels and comparisons that say so much cultural energy that permeated Italy after the War when both see their birth.


Foundation Gallery of Modern and Contemporary Art "Silvio Zanella"
MAGA
Art Museum
Gallarate Via De Magri, a Gallarate
Tel 0331706011 / 0331706048

www.museomaga.it
info@museomaga.it
Per info e prenotazioni: 02542757

Orari
9.30 - 19.30 martedì - domenica
Chiuso il lunedì

Ingresso
Intero € 8
Ridotto € 5
Ingresso Gratuito fino ai 14 anni
Over 65, soci AMACI e ICOM
Ridotto: dai 15 ai 26 anni

Donating Plasma Orange County

Atoms

I light a cigarette.

I sit next to E. and together we raise our eyes to the MAXXI, the national art museum of the twenty-first century.

We bypassed for the architecture as two mice on vacation.

Contemporary art is a carousel.

We sat in front of a theater built by a South African artist, noted plastic wires and we were bombarded with "untitled".

In the evening, we are still sitting on a white wall designed by an architectural genius of the new XXI century.

Peace.

There is silence, but quiet at this time we are not lacking. Like when we come out to the terrace of the garden of oranges in February of the last millennium.

The morning was warm at that time, the orange trees laden with fruit, and the world quietly ran away, you cross that line noise that is created between a dead place and dedicated to the memory and the road that runs button noise of life.

observe the light coming from windows that spit not long before I was retained by the desire to jump. I

phone rings.

wait V. which should leave the show in minutes.

When she says, V. I speak calmly.

"I was stuck on the third floor gallery 5, have closed, you may come to rescue? "

answer yes.

we observe E. I smile to the happiness brought by the knowledge that soon all end up in a nice restaurant.

"V. is locked on the third floor gallery 5.

Informo E. with the professionalism of an FBI agent acting in some TV series from the late evening, in the meantime I got up, threw his cigarette, and picked up the coat of velvet.

E. raises an eyebrow, thin dark eyes and looks at me, his brain is recording the information. We look

. Both

we do not know how to take the news, that moment is unreal becomes real.

The hoax. We had only imagined just before "you'll see in the close."

We have repeated since we left home.

V. has a slowness of particular importance in certain types of exhibits to visit, you lose.

is no longer the only time of the joke.

We looked again and I'll take a deeper breath. E. understand that I was not kidding.

"What are you doing?" She asks with air still flaky.

"I'll hurry up and look for a guardian before we close in here, you say? "

E. that includes not kidding, that was not a game and the last look, burst out laughing.

A laugh that draws us into a series of harrowing images and grotesque.

trudge toward the door.

Between the two I got the part in diplomatic E. plays another role, reflected and occasionally whispered to me something that the world struggles to understand.

I discovered that, with a certain circle of people around a table can change and turn the talk about themselves as if they were nailed to a fixed axis.

An electron that orbits the nucleus.

thousand different directions, but always the same distance.

I've always loved the atoms.

I've always found it fascinating to think that something with a force so large as to make every part of me.

It 's a theory, maybe in five months someone will find another and the atoms go by the wayside in the archives of scientific bullshit.

I remember the days when I was asked to turn me from standing to that of "bridge".

I never managed from the top, I was just perfect picketing with your palms on the ground.

I tried again even now.

the first attempt my cat looked at me pity.

The second time I felt a certain shame.

the third finally see the world from a different perspective.

my atoms must have considered the idea of making fools of themselves.

This morning I had a meeting with the staff of a local tour operator who will call here ... um ... I think at the moment will remain anonymous.

know that my career as a freelance began.

Let's be clear a free-lance is a nice way to classify those who do not have a fixed salary, do not ever take a loan and will not be entitled to Social Security pension.

Sooner or later I'll be moving from this house by the sea to another in the midst of wolves.

not really a metaphor, if not we can speak of wolves of foxes.

That house has no phone line, internet included.

I am working to understand how to organize.

I need an internet connection, as for most of those who now live with some constraints. Let's face it, if they had notified me of the working calendar, half pigeon is always faster than the postal service but as Apparently the mail is faster.

I considered the idea of a USB stick and while the idea of making a connection in the new house. At some point I realized that for the connection it will take at least two or three months.

I came an attack of existential longing for Germany.

I'm going into one of Escher's works, one of those where we find ourselves in the midst of the infinite around and wonder how did we end them.

The difference is that I am the "why" I know him very well.

38 Weeks Pregnant And Green Bowels

"Theatre fashioned, the costumes of the great designers






Dal 5 novembre al 5 dicembre, il Museo Fondazione Roma presenta la mostra “Il teatro alla moda. Costume di scena. Grandi stilisti”, curata da Massimiliano Capella e realizzata sotto l’alto patronato del Presidente della Repubblica Italiana. L’esposizione riunisce cento costumi originali, accanto a bozzetti, figurini made during the famous theater, opera and dance from the big names in fashion.

The costumes by Gianni Versace, Roberto Capucci, Emanuel Ungaro, Fendi, Missoni, Giorgio Armani, Antonio Marras, Romeo Gigli, Alberta Ferretti, Valentino, Enrico Coveri are exhibited in the halls and, in many cases, combined with video documentaries that allow to admire them worn by stars and by the greatest performers of the show, during theater performances and, therefore, in the context for which they were born. The viewer may thus relive the greatest moments in the history of theater, opera and dance, and discover the quality of "Made in Italy" through clothing of extreme refinement. The fashion thus becomes the protagonist of the scene, as well as key to review shows and performances, which were the result of a harmonious blend of the arts, merged to create magical illusions.

no coincidence, the very title of the exhibition is copied from the text by Benedetto Marcello, the Theatre in the fashion of 1720, a treaty from the humorous tone that precedes the issue of contamination between the arts and the overcoming of segmentation between the different disciplines , typical of the twentieth century. In fact, in the nineteenth century the fashion scene appears in Worth, Poiret, but in 1924 with the costumes for Le Train Bleu Cocteau created by Coco Chanel Sergei Pavlovich Diaghilev's invitation that will create a real correspondence between the arts. In the wake of Chanel in the early eighties, the names of the major Italian designers will appear on billboards of the most prestigious opera companies and ballet: a few of their works will be exhibited in Rome, where you can admire a selection of theatrical costumes from the collections of Teatro alla Scala, Piccolo Teatro di Milano, the Teatro dell'Opera di Roma, Teatro Regio di Parma, the Teatro San Carlo di Napoli, National, Opera in Washington DC, as well as the house involved and the collections of actors and singers.

The route winds through eight exhibition sections, from the first, entitled "Fashion, theater and great performers," which traces the history of the theater since the eighties of the twentieth century, to the final, dedicated to passion for the theater Versace, under which they were created masterpieces, from the costumes for the ballet Josephlegende Richard Strauss (Teatro alla Scala, 1982), those for Don Pasquale by Gaetano Donizetti (1984), Strauss's Salome for Bob Wilson (Teatro alla Scala, 1987) and Doktor Faustus, presented with the same director two years later. Outstanding among the works of Gianni Versace, those made for Strauss's Capriccio (on stage in San Francisco, Opera House, and London, the Royal Opera House, 1990), the suit made for Dame Kiri Te Kanava interpreter of the Countess, whose multi-colored crystal embroidered with geometric motifs are inspired by the graphic of Sonia Delaunay.

A path, therefore, that opens with The Magic Flute Gigli, Missoni, the Lucia di Lammermoor, Salome and Capriccio for Versace, Armani of the fan tutte, the costumes created by Genny Katia Ricciarelli, by Capucci for Raina Kabaivanska, from Missoni to Luciano Pavarotti and Cecilia Gasdia for Fendi, and then go to discover the feel and taste of each designer: Fendi, for example, can be admired in one of eight sections, "The work in fur: fur costume with inserts, sleeves, cloaks, among which the pink fur coat powder color, created in 1984 and indossatoda Kabaivanska for Traviatadi Mauro Bolognini, Sferisterio of Macerata. The exhibition also features three of the sixty costumes created by Fendi for Bizet's Carmen, directed by Pier Luigi Pizzi (Arena di Verona, 1986).

follows the section in honor of "Missoni. From the mists of Scotland in the light of Africa, which has seven dei120 designed costumes for Donizetti's Lucia di Lammermoor, directed by Pizzi (Teatro alla Scala, 1983). Still, costumes with stripes, zig-zag and geometric primitives made to Africa by Missoni, Italy at 90.

Best known for his debut in 1986 on the stage of the Arena Verona, with its 500 meters of white taffeta, silver and ice, used for the twelve habits of the vestal virgins who marched to the tune of Casta Diva, Roberto Capucci lateatralità stood out for their creations have become an indispensable sign of the prima donnas of bel canto.

Since its debut in 1980 as a theatrical costume designer, Giorgio Armani best expresses your creative inspiration in the costumes created for the dance and the musical, costumes for Bernstein Dances of Neumeier, hopeless love for Tosca (2003) by Lucio Dalla and Above all, the spectacular bata de cola, the flamenco dress with strascicoindossato by Joaquin Cortes Joaquin Cortes in Show (2002), never before exhibited in Italy before.

The mystery and magic of Shakespeare's theater is a great source of inspiration for Antonio Marras, which in 2008 created the costumes on display for the Dream of a midsummer night, presented at the Piccolo Teatro of Milan, directed by Luca Ronconi and Margherita Palli scenes.

Still, the seventh section, entitled "Made in Italy becomes a theater," shows how, since the mid-nineties, some designers have demonstrated some of their art masterpieces: Romeo Gigli in 1995 designed the costumes for Die Mozart's Zauberflöte at the Teatro Regio di Parma, displayed in this section; Alberta Ferretti designs for Bizet's Carmen, 490 costumes, including five in the exhibition (Terme di Caracalla, Rome, 2001); Enrico Coveri as the protagonists of the Great Gatsby (Teatro alla Scala, 2000), Valentino creates costumes for the contemporary opera in two acts The Dream of Valentino, presented in 1994 world premiere at the Kennedy Center in Washington DC
The exhibition is sponsored by
Altaroma, by Fondazione Roma and Brescia Musei Mazzucchelli, is produced and organized with Arthemisia Group and has the support of the Presidency of the Council of Ministers, the Ministry of Foreign Affairs, the Ministry of Heritage and Activities Culture, the Ministry of Tourism and National Institute for Foreign Trade, also boasts the award of High Representative of the Presidency of the Chamber of Deputies, the contribution Region of Lazio, the support of the City of Rome and the collaboration of the Fondazione Cinema per Roma and Fondazione Musica per Roma. Main sponsor is Barclays Wealth, in addition to sponsor American Express, Enel, FPC Partners LLP, the sponsor and Fnac.
A fraction of the tickets to the exhibition will be devoted to the Association of the Community of Sant'Egidio. In Network Connections



"Museo del Corso

Related Multimedia
'" The theater-fashioned, the costumes of the great designers

Pokemon Leaf Green Hacked Rom

dutchcaptain @ 2010-11-03T21: 35:00

On the bed three telephones, three diaries, three catalogs, loose papers, three books of history, two novels, two chargers for mobile phone, notebook.

I have a large bed.

Since my return from German soil I sleep on the couch.

Luckily I had bought a comfortable sofa bed, an Ikea, you know I would have invested more, but I'm happy.

I choose it, if it was good for the guests, could go well for me.

I am a guest at the bottom.

I am a guest everywhere.

Friends, family, parents.

The suitcase in the closet. Nice to feel insecure at work, in life.

"It is as Autumn leaves on the trees. "

's why I remember it perfectly by heart despite the years.

A poem I read once and forgot about that anymore.

continue with the " direct dial telephone with her head ", any one at this point.

If you pay me become my own boss.

If the task for which I paid too hard to explain to a third party are my bosses.

If you pay me well are my "big boss .

course are available 24h/24.

S. designing his weekend Venetian Venetian when I have in mind only the shutters for windows. I would say that there is a difference.

Close the blinds and wait for the day of Judgement, they say that 2012 is the year that happens, it takes a little patience, after all.

will be the only day of the year when I have to do something important.

proposals, counter proposals, days, hours, and they all crowded crowded.

I speak E.

" See?"

" Yes "

" When? "

" Tomorrow? "

" No "

" Friday? "

" Maybe "I say while control the agenda.

Morning, afternoon, evening ...

I have to study but do not have time, I wander with Cranach's arm designing the next few months.

I can not disconnect the brain, of course, someone could suggest a remedy for Shutter Island, serious consideration.

Because nobody has done it yet? In short, the tips you need only to school to avoid a 4?

G. phoned me, she laughed for twenty minutes of my life.

were right, I do it myself.

His final comment: "I'll take treasure somewhere ... somewhere that it's worth, before you make a finaccia .

G. has a spontaneous and colorful way to analyze and especially to give back to the world, besides the fact that it has lost one of my check ... I can not get angry about this, there are a set of coincidences against which silly to point the finger.

Indicative of the latter period is the purchase partem the only book that I found interesting in a library of three levels: The city of thieves.

Too bad I had already read in English and was S. to remember.

Book, among other things, taking in plain sight.

Take my commute has provoked two reactions: the first was to bring back a large handful of years ago, the second to suspend indefinitely, where everything is charged with a message for today ... I'm sorry by the office.

I said, where everything takes on a different light.

I loved because I loved walking through Kiel Kiel how to love someone who can give us strength, heat and time to reflect. Now I find myself running, chasing something elusive, unclassifiable and prey to unexpected events. Kiel

I miss that makes you sick to your stomach.

I did not want to cry, I feel like a drunk and vomit in the snow.

E 'as if something was left of me, buried up there somewhere.

Neither do I know where.

This could be a problem.

In the meantime I'm writing, everything from the subsidiary for schools, articles, mails, text messages, left for me to write my number on the wall of the stops to Termini Station.

Well, maybe someone has already done for me.

If someone did that, did not consider the amount of tourists who have already been written on paper, then failed.

Now I'm going to rummage around the house, looking for a book that I have not read any in a foreign language.

drink of rum and I will devote to writing, Pearce & Co.
Yes, it has almost taken over,
Alt
Windward .
I feel like it's the first time I see this word.
Actually I think it's the first time I look at this word, rum helps.
Windward : Benefit for the wind that is enjoyed by those who are above than those who are below the wind. As one of the sailors who enjoys the upper hand is deemed to have a better position than others, so it is said "to have the upper hand on anyone."
are these "some" to which Pearce has taken over?
's just a rhetorical question, even if Pearce is a sailor.

My 6 Month Old Has A Cough

dutchcaptain @ 2010-11-01T17 : 34:00

Everything has a beginning, the problem you have to admit it.

often due to the start we are ourselves, and when there is so little to do, the 'autofustigazione may be a good solution.

The inevitable is the worst beast that we carry with us.

E 'only when we are now recognizable in his mouth, there is no escape, not even the famous jack that you should necessarily hold in the car. No armor, prayer or whatever.

You will be crushed and that's it.

Get the peace of mind, hell is all that will live on this earth. In a movie a

man says " I stopped believing in God " I wonder if God has stopped believing in me.

All this to introduce my next argument ... you like it? Not for

idea, do not be so naive, this is what I think and what my appreciation for the degradation of the human race every day.

bitter disappointment or awareness? Fate vobis.

Fortunately, to keep up my conscience, there are dreams.

As I mentioned I wanted to see Lawrie.

A long car trip. While I drive a fictional character makes me moral. Even

Sant 'Agostino was capable of much.

not remember the arguments but it was useful, now I know how and what to say when I speak to my seven chapters.

fortunate that there Lawrie, a fortune that there otherwise I would stir seriously consider the possibility to hire him as confessor.

In practice I think it already is.

I miss him as a confessor Lawrie, possible that I would live better with him as a medal for good luck.

E 'annihilating the feeling of security it brings.

The dead do not exist except in our memory, but the memory can be constructed by the mind itself.

I could do construction work, Lawrence imagery that becomes real in the imperfect memory.

Lawrence there as "memory .

With a fake ID I do really exist. So if the Americans invented the Arabs, because I can not invent someone else?

Lawrence is more useful on a personal level, and most harmless of war.

Moving on to another night, I had another vision.

was not a dream this was a vision of apocalypse.

I was in Muenster, in the era of reform and reformers.

Roads were the ones that I saw and still remember it perfectly, because I'm going to see that damn museum is closed on Mondays.

With me, S. and Christopher Pearce.

dream combination + S. Pearce is how to decrypt an image dell'Hypnerotomachia Poliphili. E 'written all over them, I just have the key.

S. discussed in the square and preached ideas that I know only too well.

Christopher Pearce had become the head of the commission for the control of works of art. Take the usual Nazi

which now also know the pants, mix it with a reformer munster the sixteenth century, combined with all the rain, cold, a preacher who would compete for the proper Jan van Leiden (which recalls the occasion of being Dutch and turns with a vase of sunflowers useless and a cap as a peasant), a race capable of leave you breathless and mix together adding a bit of anxiety as a sunshade.

Why? Simple, try to convince you that that Pearce is a work of art on an insult to morality. You try to convince S. that could try to reason with Pearce and not to destroy everything that comes to mind because it is "just and proper."

you have any idea what it means to persuade Pearce to convince a committee not to put in the slammer S. for sermons?

Faina, even in the dream Pearce is a weasel.

Faina and incorruptible, is there anything worse?

Lawrence is a saint in this regard.

Ok, not all creations of my mind thinks so. We must look at the medal on all sides e. ..

does not matter, I can watch the side that I prefer now, I'm on my own. Can I sell

Lawrence for a saint and the devil and S. Pearce by the Holy Spirit.

I created my trinity.

Among other things preclude me to call Lawrence Pearce by name and last name, is indicative of the opposition.

Name - Surname.

Good - Evil.

Things like, take a piece of paper and make this game, scored two columns to the left is the one assigned to Lawrence and the Right to Pearce. Without this marked the positive and negative, and you'll know who to respect.

Christopher Pearce haunts my dreams and even S. manages to keep it at bay, very bad since it's creation it might as well make an effort. Among other things

Pearce smoked and every time I went to try and find him asking me to turn on.

Pure!

I fed that feeling of discomfort, as when the cars run without putting the arrow and you are forced to nail down, as when walking from the balcony and the water drip drop that ends on the jacket clean, the train delays that will make those five minutes arrive five minutes late as much as enough to make you serve a wry smile but not buckled on his plate "laggard." That stolen kiss that does not make you a fredifrago but does not leave you untouched.

I think you get the idea.

The other side of the coin is the immaculate Pearce.

Imagine the perfect man here.

One of those who also fold socks when night is bare, which would remind me to live with a psychopath, then come full circle because that's what I did for months and months in Germany and everything makes perfect sense and not only that, we would live yet.

Do me the favor, keep your thoughts for you.

Lawrence is moral perfection, the formal Pearce.

Lawrence would never do something that goes against his morals, while not maintaining perfect form. Pearce never go against the form, while not perfect keeping his morale. Formally

is invincible, impeccable.

The part of me that loves Pearce above of all is the one that defends him with drawn sword, which has a blind trust.

The part of me that loves Lawrence is one that is based on estimating deep.

's one excludes the other, the estimate provides for the criticism and acceptance. The blind trust not.

write the diary of a soul in love with Pearce, he will write a posthumous biography false.

In the book I'm reading, quite boring to be honest, there is the figure of an art dealer described as follows:

"This I took of my father, not his memory or miraculous insight artistic and even the casual elegance, grace inborn. "

Sherry.

--------------------------------------------- -------- OTHER .... YESTERDAY'S ------------->

" Perfect, you'll end up in the technical part."

This was the comment of technical RAI at the end of the short interview I have today granted.

ridiculous.

My Big Boss of the exhibition of Van Gogh I fed the RAI as I climbed the stairs of the show with his breath, broken for the race.

I also specified that the gentlemen in my opinion it was a little sick, a lovingly gave me a pat on the shoulder and said, "but jokes? "

No, I mean, in my opinion really does suck, I told you my bitch and four classified under" expert ".

hate "look in the room" I feel like an idiot talking to an idiot.

The microphone you keep it myself.

Gentlemen, I have no course for 15 minutes to waste any more time ...

I love television as a thorn in the foot.

I think I will find myself in a montage dedicated to sex tourism of the Roman night.

If Rome were a woman would die for her, but it's a monster and I'm fighting for my survival trying to kill me against my will.

Amazingly, every time I start the first two hours from home, something happens that leaves me to discover "new parts" of the world.

A world that I do not care, honestly. Today

a suitcase abandoned on the track waiting for the arrival of the bomb squad and police station.

A suitcase.

Let me explode but do not let me be late to work. Let me explode

obbligatemi but not to go the way of the protagonists of the films in direct line with the employee as tormented souls wander in search of the "solution" to reach point A from point B in five minutes and twenty seconds.